| # | Title | Director | Writer | Rated | Year | Studio | Genre |
|---|---|---|---|---|---|---|---|
| 74 | L'il Abner | 1940 | Genius Entertainment | Classics | |||
L'il AbnerRated: Date Added: 10 Aug 2008 Summary: Digitally remastered and sound enhanced, this is America's favorite comic strip come to life again! The Gang from Dogpatch is all here: Abner, Daisy Mae, Mammy Yokum, Earthquake McGoon and Lonesome Polecat. What'll happen when the Sadie Hawkins dance turns things upside down? |
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| 75 | Ladykillers | Alexander Mackendrick | NR | 1955 | Republic Pictures | Art House & International | |
Ladykillers Alexander MackendrickRated: NR Date Added: 26 Jan 2009 Sound: Analog Summary: In English comedy at its blackest (and funniest) pitch, this droll 1955 farce finds Alec Guinness in one of his typically deft, chameleon turns as would-be criminal mastermind Professor Marcus. When Marcus's grand plan to pull off a train heist leads him to a strategically situated house occupied by the genteel Mrs. Wilberforce (Katie Johnson), the ensuing masquerade triggers a mordant, even macabre comedy of manners. With Marcus and his rough-hewn cronies (Herbert Lom, Peter Sellers, and Danny Green) posing as a string quartet, and the dear lady's demise seen as the means to their larcenous end, the gang's sinister machinations are consistently, if unwittingly, foiled by the good-hearted, resourceful widow. "--Sam Sutherland"
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| 76 | Lavender Hill Mob | Charles Crichton | NR | 1951 | Republic Pictures | Art House & International | |
Lavender Hill Mob Charles CrichtonRated: NR Date Added: 26 Jan 2009 Sound: Analog Summary: Britain's Ealing Studios was at the top of its game when this classic comedy was released in 1951--one of the all-time best crime-caper comedies and a quintessential example of the witty and subtly subversive Ealing style. Alec Guinness stars as a mild-mannered transporter of gold bullion who has spent 20 years moving gold bars to banks in an armored truck. Then one day he simply decides to help himself to a million British pounds' worth of the gold, but to pull off the heist he enlists and old friend (Stanley Holloway), who sculpts and manufactures paperweights. Once the gold is hijacked, it's molded into souvenir miniatures of the Eiffel Tower and shipped off to Paris, right under the noses of British customs officials on alert for the missing gold. Panic ensues when six of the gold miniatures are mistakenly sold to a group of English schoolgirls, and just when the amateur thieves think they've finally pulled off their heist without a hitch ... well, let's just say this classic comedy has a few climactic tricks up its sleeve. Guinness is in peak form here, and director Charles Crichton (who scored a late-career hit with "A Fish Called Wanda" over a quarter-century later) keeps the action moving with impeccable British efficiency. Along with "The Ladykillers" and "The Man in the White Suit" (both starring Guinness), "The Lavender Hill Mob" represents the golden age of British comedy, and it's still delightfully entertaining. "--Jeff Shannon"
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| 77 | Lemony Snicket's A Series of Unfortunate Events | Brad Silberling | Robert Gordon | PG | 2004 | Paramount | Action & Adventure |
Lemony Snicket's A Series of Unfortunate Events Brad SilberlingRated: PG Writer: Robert Gordon Date Added: 29 Dec 2008 Sound: Dolby Summary: If you spliced Charles Addams, Dr. Seuss, Charles Dickens, Edward Gorey, and Roald Dahl into a Tim Burtonesque landscape, you'd surely come up with something like "Lemony Snicket's A Series of Unfortunate Events". Many critics (in mostly mixed reviews) wondered why Burton didn't direct this comically morbid adaptation of the first three books in the popular series by Daniel Handler (a.k.a. "Lemony Snicket," played here by Jude Law and seen only in silhouette) instead of TV and "Casper" veteran Brad Silberling, but there's still plenty to recommend the playfully bleak scenario, in which three resourceful orphans thwart their wicked, maliciously greedy relative Count Olaf (Jim Carrey), who subjects them to... well, a series of unfortunate events. Along the way they encounter a herpetologist uncle (Billy Connolly), an anxious aunt (Meryl Streep) who's afraid of "everything", and a variety of fantastical hazards and mysterious clues, some of which remain unresolved. Given endless wonders of art direction, costume design, and cinematography, Silberling's direction is surprisingly uninspired (in other words, the books are better), but when you add a throwaway cameo by Dustin Hoffman, Law's amusing narration, and Carrey's over-the-top antics, the first "Lemony" movie suggests a promising franchise in the making. "--Jeff Shannon"
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| 78 | Long John Silver | Digiview Productions | Action & Adventure | ||||
| 79 | Looney Tunes - Golden Collection, Volume Two | Cal Dalton, Cal Howard, Chuck Jones, Constantine Nasr, Frank Tashlin | NR | Warner Home Entertainment | Action & Adventure | ||
Looney Tunes - Golden Collection, Volume Two Cal Dalton, Cal Howard, Chuck Jones, Constantine Nasr, Frank TashlinRated: NR Date Added: 25 Dec 2008 Languages: English, French, Spanish Subtitles: English, Spanish, French Sound: Dolby Digital 2.0 Mono Summary: Brash, fast-paced, and hysterically funny, the Warner Brothers cartoons rank among the undisputed treasures of American animation and American comedy. This second collection, a follow-up to "Looney Tunes: Golden Collection", includes such gems as "Porky in Wackyland," "A Bear for Punishment," "Gee Whiz-z-z," The Great Piggy Bank Robbery," and "I Love to Singa." A short documentary about director Bob Clampett features several cartoon historians, animator Eric Goldberg, "Shawshank Redemption" director Frank Darabont, and "Ren and Stimpy" creator John Kricfalusi (enthusiastic but over the top). But Warners continues its scattergun approach to selecting films. There are only eight cartoons by Clampett in the set, plus three by Tex Avery and one by Frank Tashlin. "Rabbit Fire" and "Rabbit Seasoning" appear on the first set, but the third cartoon in Jones's trilogy, "Duck! Rabbit! Duck!" isn't on either. More than two-thirds of the films are by Friz Freleng and Chuck Jones. That's not necessarily a bad thing. "Show Biz Bugs," "Bugs Bunny Rides Again," and the Oscar-winning "Tweety Pie" showcase Freleng's razor-sharp timing. "What's Opera, Doc," "The Dover Boys," and the justly celebrated "One Froggy Evening" rank among Jones's boldest experiments and most brilliant successes.
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